In a country with dozens of elephant camps masquerading as sanctuaries, one spot in Thailand stands out as the real deal — Elephant Nature Park, a refuge for dozens of elephants rescued from logging concessions, the entertainment industry and land mine explosions.
Most of the elephant camps in Thailand allow visitors to ride the animals, a sign that they are beaten into submission by “trainers.” Elephant Nature Park, on the other hand, prioritizes the needs of the elephants by rehabilitating them, incorporating them into a herd and providing them with as natural an environment as possible.
Angered that the preservation group Landmark West was honoring NYC’s horse-drawn carriage trade, animal rights activists disrupted the organization’s gala at Tavern on The Green, a restaurant in Central Park.
In 2006, activists launched a campaign to ban horse-drawn carriages, arguing that they are inherently inhumane and that their operation is especially cruel and dangerous in the congested streets of midtown Manhattan. In 2013, Mayoral candidate Bill de Blasio made a campaign pledge to ban horse-drawn carriages, but he failed to deliver on his promise when he took office.
The preservation group Landmark West honored horse-drawn carriage drivers at its gala. Animal rights activists disrupted the event.
In addition to protesting the horse-drawn carriage trade itself, activists are targeting Mayor de Blasio, demanding that he expend the political capital necessary to deliver on his promise. On September 15th, just a few days after a carriage horse collapsed in midtown, over 200 activists staged a protest at Gracie Mansion, the Mayor’s home, and confronted him as he exited a downtown gala several hours later.
Animal rights activists in NYC demand that Mayor Bill de Blasio fulfill his promise to ban horse-drawn carriages.
NYC’s horse-drawn carriage operators own approximately 2oo horses. When the horses are not pulling carriages in midtown, they are kept in small stalls in former warehouses or garages in Hell’s Kitchen, a neighborhood on the far West Side of Manhattan.
The horses who pull carriages in NYC are housed in multi-story buildings after working in midtown. NYC has no pasture where the horses can graze and interact with other horses.
Please contact Landmark West to let the organization know how you feel about its decision to honor NYC’s inhumane horse-drawn carriage trade by posting a comment on its Facebook page and/or retweeting this tweet.
In response to the collapse of a carriage horse in NYC, at least two hundred activists staged a protest at the home of Mayor Bill de Blasio to demand that he fulfill his 2013 campaign pledge to “end carriage rides” in NYC. The protest marks the re-birth of the movement to ban horse-drawn carriages from the congested streets of midtown Manhattan.
Following the protest at Gracie Mansion, which is located in uptown Manhattan, many of the activists traveled downtown to confront the Mayor as he exited an event at Cooper Union College.
The collapse of a carriage horse triggered about 200 activists to protest failure of NYC Mayor Bill de Blasio to fulfill his campaign promise to ban horse-drawn carriages
In the months leading up to the 2013 Mayoral election in NYC, Bill de Blasio publicly vowed on several occasions to outlaw NYC’s horse-drawn carriage trade. After de Blasio declared that animal rights would “move into the mainstream” if he was elected, the community took to the streets to help him get elected.
The campaign to ban horse-drawn carriages from NYC was launched in 2006, but the animal rights community has been unable to free the horses because of opposition from the media, labor unions and NYC lawmakers. In addition, Bill de Blasio, who was the horses’ most powerful potential ally, has failed to effectively exert his power as Mayor to achieve a ban. By the time he introduced a compromise bill that would contain the horses within Central Park, the majority of NYC lawmakers had already decided to take the politically expedient route, which was to reject any changes to the carriage trade.
A slave is defined as “someone who is the legal property of another and is forced to obey them.” Across the globe, wild animals are held captive in circuses and subjected to violent punishment in order to force them to perform for human entertainment. Their plight is chillingly similar to that of the victims of the African slave trade.
Like the victims of the African slave trade, circus animals are often kidnapped from their homes and held captive in chains and prison cages — when they’re not performing. Circus elephants, for instance, spend 97% of their lives shackled. One investigation showed that, for weeks at a time, UniverSoul Circus kept tigers in cages so small that they could not make “normal postural adjustments.” The confinement causes many animals to go insane.
Chains are used to restrain animals in circuses just as they were to restrain humans during the African slave trade.
Like the victims of the African slave trade, circus animals work out of fear of punishment. Tigers and lions are whipped; monkeys and camels are beaten with sticks; and elephants are stabbed with bullhooks, devices that resemble a fireplace poker. Fear is the only way to entice wild animals to perform unnatural – and often scary and painful – tricks in front of noisy crowds.
Like African slaves, circus animals are forced to work under threat of violent punishment.
The bullhook is a weapon used to beat and control elephants in circuses.
Like the victims of the victims of the African slave trade, circus animals often taken have their children taken from them. The kidnapped children are taught to fear humans at a very age. Baby elephants, for instance, are tied up; beaten with bullhooks; and shocked with police tasers. Young animals, especially lions and tigers, are often used for photo ops.
In circuses and slave auctions, babies are and were taken away from their mothers.
The plight of circus animals falls squarely into the definition of slavery.
To learn more about the plight of circus animals and what you can do to help them please visit Born Free USA.
Duke Riley, an artist who strapped LED lights on the legs of 2,000 pigeons and forced them to fly in the dark, verbally assaulted animal advocates, calling them “racists,” “animal abusers,” and “animal haters.”
Artist Duke Riley Verbally Assaulted activists protesting his pigeon show.
The Animal Cruelty Exposure Fund (ACEF), an animal advocacy group, staged three protests in front of Riley’s “Fly By Night” shows. At two of those protests, Riley brought in counter-protesters with provocative signs in an attempt to discredit the animal advocates.
“Duke Riley’s totally unsubstantiated accusations, in calling animal rights activists and protesters ‘racists’ and ‘animal haters,’ is beyond ludicrous,” said Nora Constance Marino, President of ACEF. “Mr. Riley has resorted to baseless and meaningless defamatory name calling in an apparent ill-conceived and feeble attempt to defend his actions.”
Counter-protesters recruited by Duke Riley.
Pigeons, who are strictly daytime animals, have poor nighttime vision and only fly in the dark if disturbed. “Fly By Night” potentially subjects them to stress, disorientation and drowning in the East River.
Excerpt from Creative Time’s website
Creative Time, the arts organization that funded the pigeon show, claims on its website that the show took place “when there is still daylight.”
However, photos and video taken during “Fly By Night” demonstrate that the pigeons are, in fact, in the air after dark.
Video footage taken at the event shows that the birds were out while there was little to no daylight.
In a post on the Facebook page of Creative Time, Karen Davis, President of the national avian advocacy group United Poultry Concerns, condemned the event: “Perhaps what strikes me most significantly about this Fly By Night exhibit is the part where the pigeons are trying to land and get rest, but are forced to fly even though they are bewildered, scared and exhausted. . . No one who respects pigeons and empathizes with them as fellow creatures would dream of mistreating them so meanly, strapping gadgetry to them, and putting them in danger.
Pigeons have limited vision in the dark, but they are forced to “Fly By Night” for art exhibit
The use of live animals in art exhibits was recently addressed in a CounterPunch article critical of the practice written by Elliot Sperber, a New York-based writer and lawyer.